November 16, 2006
A Walk on the East Side: An Essay in Poetry and Photography
By Caroline DuBois (poet) and Jill Block (photographer)

3621 Gallatin Pike
The aching house stands awkward, hulking,
beside the Piggly Wiggly-or is it an IGA now-
and the barbershop, as if reading over the shoulder
of another era. If the house had shoulders,
they would hunch, embarrassed of its peeling paint
and sagging lines, next to the brick and neon.
This week spare ribs 69ยข a pound, a sign proclaims.
As if hard of hearing, the house refuses to be gone,
to give up its parking spot, to collapse into its own arms.
It’s failed to read the circulars. A weakening offensive
waged against asphalt, against a cheap cut and shave,
against spare ribs, against time. But like a good ghost,
it doesn’t make a scene, just holds its tongue, its stories
tightly like an apology. What a lady! What a gentleman!
While the barbershop pole just can’t shut up.
It just spins and spins its red, white, and blue.


“Heaven’s Coast” is a series of photographic images that capture connections to the ocean and the coast. The show, with the title inspired by a memoir by Mark Doty, tells a story about the unique ways in which we experience our coastal landscapes. Using a photojournalistic style to document different activities and moments, the images are then transferred to large stretched canvases to alter the scale of the work. The transfer process is imperfect, resulting in images that look slightly distressed and aged.